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Ifeoma U. Anyaeji
Nigeria, b. 1981

Ifeoma U. Anyaeji Nigeria, b. 1981

  • Biography
  • Works
  • Eze Fuo eze anochie
  • Exhibitions
  • Solo & Group Show
  • News
  • Art Fairs
  • Publications
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  • Biography
    © Colin Davison
    © Colin Davison
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    With Plasto-art I create very conceptually complex organic sculptures and installations of intricate textures and colours that reference architectural forms, domestic spaces and furnishings, reiterations of personal and collective memories or cultural experiences, and discourses about the human body.

     

    -Ifeoma U. Anyaeji 

    Born in Benin City in 1981, Ifeoma U. Anyaeji is a Nigerian neo-traditional artist who decided to pursue art as a full-time career by exploring her boundaries as a female artist beyond the conventions of her initial academic training in painting. She later continued her earlier interest in sculpture and deepened her passion for creating unconventional art and reusing discarded objects, an interest spurred by the ongoing environmental problems she encountered in her community, particularly from non-biodegradable plastic bags and bottles.

     

    Experimenting with these waste environmental pollutants, engaging in possible processes of remaking and reusing objects, particularly with unconventional art techniques and traditional craft processes, Anyaeji developed an art style she calls “Plasto-Art.”

    This is an eco-aesthetic process of remaking, in which she transforms her primary medium - used non-biodegradable plastic bags and bottles - by applying her craft skills in a traditional Nigerian hair braiding technique called Threading, combined with traditional basketry and fabric weaving techniques.

     

    Using this technique, Ifeoma creates conceptually highly complex and organic sculptures and installations with intricate textures and colors that reference architectural forms, domestic spaces and furnishings, reiterations of cultural experiences and discourses on the human body.

  • Works
    • Ifeoma U. Anyaeji, Eze Fuo eze anochie, (When a king leaves another replaces him – no condition is permanent), 2013 (edited 2015, 2019, 2021/2022)
      Eze Fuo eze anochie, (When a king leaves another replaces him – no condition is permanent), 2013 (edited 2015, 2019, 2021/2022)
  • Eze Fuo eze anochie

    Eze Fuo eze anochie

    This piece is a highly representative example of the artist practice and of her process of threading the plastic bags (repetitive and labour-intensive) that brings the sculptures making to be a years working labour. At a glance, the threaded plastic takes on the quality of fabric or wool.

    Each plastic braid is shaped and layered by the artist into densely textured sculptural forms characterised by their distinctive vibrant colours, coils, spirals, circles and loops.

    This piece has been commenced in 2013 during an artist residency in Nairobi, Kenya and has been re- elabored until the 2021/2022. This work is bound up with Nigeria's political histories of power and opposition, its colonial past and its rich and diverse cultural history.

  • Using a method which she describes as "Plasto-art', Anyaeji binds the plastic with thread into intricately woven braids using a traditional Nigerian hairstyling technique known as Ikpa Owu or Ikpa Isi Owu in Igbo.
    Igbo is the native language of the Igbo people, an ethnic group of South Eastern Nigeria - it has approximately forty-four million speakers.
     
  • Ikpa Owu (or Threading) is an increasingly obsolete hair-craft passed down through the generations, from mother to daughter. The practice...
    Ikpa Owu (or Threading) is an increasingly obsolete hair-craft passed down through the generations, from mother to daughter. The practice has almost disappeared because of the country's colonised history and the pressures for a global identity, which underlines more of a Western outlook. It is now considered more fashionable to use chemicals to straighten or relax hair for styling.
    The reason Anyaeji started to thread plastic bags is that she missed doing her sisters hair, the tactile-ness and togetherness and the sense of community that happened when you got together and did each other hairs. it’s a way of keeping the practice alive even if no one wants their hair done like that anymore.

    Combining Ikpa Owu with traditional basketry and fabric weaving techniques, Anyaeji reflects on the loss of such traditions, whilst the use of plastic - a major environmental pollutant - speaks of the devastating impact of human activity on Nigeria's landscape and natural resources.

  • There is a variety of different shapes in this work. Speaking about the spirals made with the threading technique Ikpa...
    There is a variety of different shapes in this work.
    Speaking about the spirals made with the threading technique Ikpa Owu she said: “circle is symbolic for me because it means as a continue”.
     
    The little bulbous shapes are actually from what’s called “pure water” in Nigeria.
    You can get bottled water but for those who can’t afford that the cheapest option is “pure water”. They come in sachets, you bite them open and drink it, then discard the packet and because it is a much smaller operation, the University of Benin which Ifeoma attended, had their own “pure water” company and she always saw the packets lying around and they’d be more and nothing was being done with them. So that’s where she started taking the non-biodegradable plastic and turning it in to more sculptural work and that adjoined with the plastic bags to give it a more textured and varied feel.
  • Plastic became a problem because we were used to discard everything without thinking of the ambient, my choice to use plastic was an environmental response... When I was experimenting this material I understood that I wanted to take this on and shifted into sculpting.

    It wasn't originally my intent to be a sculptor than a painter but I began to nourish and understand this material I was working with.

     

    - Ifeoma U. Anyaeji

  • Exhibitions
    • UNUSUAL MATERIALS AND FORMS FOR A NEW AESTHETIC

      UNUSUAL MATERIALS AND FORMS FOR A NEW AESTHETIC

      Joël Andrianomearisoa / Abdoulaye Konaté / Troy Makaza / Samuel Nnorom / Moffat Takadiwa / Ifeoma U. Anyaeji 14 Dec 2023 - 30 Jan 2024
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    • AFRICA UNIVERSE 2

      AFRICA UNIVERSE 2

      Januario Jano / Joël Andrianomearisoa / Amani Bodo / Abdoulaye Konaté / Troy Makaza / Vitshois Mwilambwe Bondo / Ifeoma U. Anyaeji / Amina Zoubir 28 Feb - 20 Mar 2021
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    • The art of storytellers. The continuation of the tradition: from Chéri Cherin to Amani Bodo

      The art of storytellers. The continuation of the tradition: from Chéri Cherin to Amani Bodo

      Ifeoma U. Anyaeji / Amani Bodo, Cheri Cherin, Tréson Cherin, Ifeoma U. Anyaeji, Sam Ilus, Januario Jano, Marie-Claire Messouma Manlanbien, Luc Mukolo, Gedeon Ndonda, Amina Zoubir 16 Jan - 11 Feb 2020
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    • AFRICA UNIVERSE | CHAPTER 2

      AFRICA UNIVERSE | CHAPTER 2

      15 Dec 2019 - 15 Jan 2020
      Africa Universe 2 is the prosecution of a monumental project started two years ago: Africa Universe. At that time we wrote: 'We have recently recognized and became conscious of the...
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    • AFRICA UNIVERSE | CHAPTER 1

      AFRICA UNIVERSE | CHAPTER 1

      26 Sep - 13 Nov 2019
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    • The Black Sphinx II

      The Black Sphinx II

      Joël Andrianomearisoa / Ghizlane Sahli (Morocco), Yasmine Ben Khelil (Tunisia), Ifeoma U. Anyaeji (Nigeria), Marie-Claire Messouma Manlanbien (Ivory Coast), Ouattara Watts (Ivory Coast), Houda Terjuman (Morocco), Yassine Balbzioui (Marocco), Januario Jano 4 Jun - 31 Aug 2018
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  • Bibliography
    Ifeoma U. Anyaeji
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    Ifeoma U. Anyaeji CV

    Born in 1981 in Benin City (Nigeria).

     

    EXHIBITIONS

    Solo Show

    2023

    Ifeoma Ugonnwa Anyaeji : Ijem nke Mmanwu m (The journey of my masquerade), Tramway, Glasgow, Scotland, GB (upcoming)

    2021

    Africa Universe - Part II, Primo Marella Gallery, Milan, IT

    2020      
    Nzuko Umuada, nke abo (the Second Meeting of the daughters of the land), 
    2019      
    Ezu hu ezu – In(complete), BALTIC Centre for Contemporary Art, Gateshead, United Kingdom
    2017
    Courtyard Project - Swirl Bin, FOFA Gallery, Concordia University, Montreal, Quebec, Canada

    2016
    A no m'eba… (I am here…, Presence, Absence), Galerie d'Art LSB, Montreal, Quebec, Canada
    2015
    Owu, Skoto Gallery, Chelsea, New York, USA

    2013
    Transmogrification, Skoto Gallery, Chelsea, New York, USA
    Plasto-yarnings: a conversation with plastic bags and bottles, Alliance Française, Nairobi, Kenya
    2012
    Reclamation, The Craft Studio Gallery, University of Missouri, Columbia, MO, USA
    Now I’m born this way will you still see me as…, Lewis Center, Washington University, St. Louis, MO, USA
    2011
    Okilikili, Lewis Center, Washington University, St. Louis, MO, USA
    The Things We Leave Behind, Lewis Center, Washington University, St. Louis, MO, USA

     

    Group Show

    2023

    UNUSUAL MATERIALS AND FORMS FOR A NEW AESTHETIC, Primo Marella Gallery, Milan, Italy

    2018
    The Black Sphinx II, Primo Marella Gallery, Milan, Italy
    The Black Sphinx II, Primae Noctis Art Gallery, Lugano, Switzerland
    Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Chazen  (traveling group exhibition till 2020) 
    Les Éclaireurs – sculpteurs d’Afrique (collection Fondation Blachère), Palais des Papes, Avignon, France

    2017
    Skoto Gallery, Chelsea, New York, USA
    In Edeniye, a City of the Future, Yermilov Center, Kharkiv, Ukraine
    Up: Rise Leve: Levee,  Galerie d'Art LSB, Montreal, Quebec, Canada
    While no one was looking, Galerie MainLaine, Montreal, Canada
    Be Bold for Change, Female Artists Association of Nigeria
    Celebration of Black History Month, Bank of Montreal rue St. Jacques, Montreal, Quebec, Canada

    2016
    Dissonant Integrations, Ethnocultural Art Histories Research and Z-Art space, Montreal, Canada

    2015
    Gallery Artists, Skoto Gallery, Chelsea, New York, USA
    SalonEsque, MAI Gallery, Montreal, Canada
    Thresholds: Presence, Absence, and Territory, Gladstone Art gallery, Toronto, Canada
    Basket Case II, National Gallery of Zimbabwe, Bulawayo, Zimbabwe

    2014
    La Parole aux Femmes (Women Speak Out), Fondation Blachère, Apt, France
    Women in National Development, Female Artists Association of Nigeria and French Embassy in Nigeria, Abuja, Nigeria
    The Role of Art in National Development: Society of Nigeria 50th Anniversary, Omenka Gallery, Lagos, Nigeria 
    Basket Case II, National Gallery of Zimbabwe, Harare, Zimbabwe

     

  • News
    • Unusual Materials and Forms for a new Aesthetic - Coming from selected African artists

      Unusual Materials and Forms for a new Aesthetic - Coming from selected African artists

      14 December 2023 - 30 January 2024 December 14, 2023
      Primo Marella Gallery is pleased to announce its next new gallery exhibition in Milan! The gallery will propose a group exhibition, in which a precise...
      Read more
    • PMG ArtGeneve booth featured in Le Quotidien de L'art

      PMG ArtGeneve booth featured in Le Quotidien de L'art

      primo marella gallery booth featured as the cover of the journal February 1, 2023
      The article states: Contemporary African art was on show at a number of stands, including that of Milanese gallery Primo Marella, which presented five artists...
      Read more
  • Art Fairs
    • Artissima Torino 2023

      Artissima Torino 2023

      2 - 5 Nov 2023
      ARTISSIMA TORINO Primo Marella Gallery is pleased to participate in Artissima Torino 2023 , presenting the totality of its research, combining African and Asian artists...
      Read more
    • 1-54 Contemporary african art fair London

      1-54 Contemporary african art fair London

      12 - 15 Oct 2023
      1-54 Contemporary African art fair London Primo Marella Gallery is thrilled to be participating in the 11th edition of 1-54 London, which will take place...
      Read more
    • Artissima 2022

      Artissima 2022

      3 - 6 Nov 2022
      Artissima 2022 Preview | 3 Novembre Giacomo Mattè Trucco, 70 Turin, ITA
      Read more
  • Publications
    • Unusual materials and forms for a new aesthetic

      Unusual materials and forms for a new aesthetic

      Coming from selected African artists | Group Show Primo Marella Gallery , 2023
      Hardcover book, 119 pages
      Publisher: Primo Marella Gallery
      Dimensions: 28 x 24 x 1.5 cm
      Read more
    • Africa Universe Chapter 1

      Africa Universe Chapter 1

      Group exhibition catalog Primo Marella Gallery , 2019
      Softcover book, 109 pages
      Publisher: Primo Marella Gallery
      Dimensions: 28 x 21 x 1 cm
      Read more
    • Africa Universe Chapter 2

      Africa Universe Chapter 2

      Group Exhibition Catalog 2019
      Softcover book, 115 pages
      Publisher: Primo Marella Gallery
      Dimensions: 28 x 21 x 1 cm
      Read more
    • The black Sphinx II

      The black Sphinx II

      from Morocco to Madagascar 2018
      Hardcover book, 123 pages
      Publisher: Primo Marella Gallery
      Dimensions: 28,5 x 21,5 x 2 cm
      Read more
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