Alternative Practices and Unbound Forms. African Artists Across Recent bIENNALES – Part II: New Installation Featuring a Monumental Work by Abdoulaye Konaté

Primo Marella Gallery Milano presents Hommage aux chasseurs et musiciens du Mandé (2026), the latest chapter in one of the artist’s most celebrated bodies of work.
Primo Marella Gallery Milano is pleased to announce the unveiling of Alternative Practices and Unbound Forms: African Artists Across Recent Biennales – Part II.
Open to the public from today, this renewed chapter of the exhibition unfolds through a reconfigured display centred around the presentation of a major new work by Malian artist Abdoulaye Konaté: Hommage aux chasseurs et musiciens du Mandé (2026).
 
The new installation places special emphasis on this monumental textile composition, which continues one of the most significant and enduring cycles in Konaté’s artistic practice.
Drawing on the enduring legacy of the chasseurs du Mandé, Konaté’s celebrated series reflects on cultural memory, identity and the persistence of ancestral knowledge within contemporary society.
 
The Mandé Hunters cycle occupies a pivotal place in the artist’s career. An early work from the series, L’Hommage aux chasseurs du Mandé (1994–96), earned Konaté the prestigious Grand Prix Léopold Sédar Senghor at the Dakar Biennale in 1996. Another version from the series entered the collection of the Museum of Modern Art (MoMA), New York, in 2023, while a monumental iteration was presented at Documenta 15 in Kassel in 2022. These milestones attest to the international significance of a body of work that has become emblematic of Konaté’s practice and of contemporary African art more broadly.
 
In Hommage aux chasseurs et musiciens du Mandé (2026), the artist revisits this seminal theme, paying tribute to the hunters and musicians who have shaped and preserved the cultural heritage of the Mandé world. The work stands as a powerful reflection on the transmission of memory and the enduring relevance of tradition in the present.
 
Conceived as an integral component of the exhibition, the new installation reinforces its commitment to artistic innovation and cross-cultural dialogue, bringing into focus the diversity of perspectives, materials and methodologies that characterize contemporary African practices.
 
Through a carefully reconsidered spatial framework, the exhibition encourages new readings and connections across the works on view, further enriching its critical and curatorial scope.
See you at the gallery in Milan!
June 18, 2026
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