• SPECIAL PROJECT Kenji SugiyamA Primo Marella Gallery Milano
    Kenji Sugiyama, Gaze into the Distance, 2024, mixed media (paper, mirror, wood board, acrylic), 165 × 50 × 50 cm

      SPECIAL PROJECT

     

    Kenji SugiyamA

     

     

    Primo Marella Gallery Milano
  • Primo Marella Gallery is pleased to present a project room dedicated to Japanese artist Kenji Sugiyama, whose visionary practice explores personal memory, visual perception, and space as an inner, immersive experience. This viewing room focuses on Gaze into the Distance, the latest development in his ongoing series that transforms intimate environmentsm, from imaginary museums to libraries of memory, into layered, introspective worlds. Inspired by an old-fashioned theatre, the work takes the shape of a large eye that watches and invites to be watched, where each viewer becomes an integral part of the piece, weaving together recollections, projections, and visions. This new body of work marks a significant transition in the artist’s practice, shifting from a close, intimate gaze to one that extends into the distance, turning the exhibition space into a theatrical labyrinth of shared memories.
  • MUSEUM

     

    “I have created a series of works titled Institute of intimate 'Museums'. IIM aims to make people notice their unconscious act of 'seeing'. By utilizing a mirror effectively, viewers are surprised to see the works. After that, they would reconsider what the act of ‘seeing‘.

    The works exhibited this time are also the one of this series. What image do you have of a mirror? Some might imagine that there is another world in the mirror, others might say it is just a phenomenon of reflection. Also, there might be people saying that is strange thing since it turns image left-right reversal but never upside down. In this installation, a mirror, which used to be as a device (a part of the works), functions to make viewers call up an image of contrasting works and space.”

     

    - Kenji Sugiyama

    Kenji Sugiyama, Outside 1, 2024, mixed media (paper, mirror, wood board, acrylic), 184 × 87,3 × 49 cm
  • Inside | Outside

  • The viewer within the space of the artwork
    Kenji Sugiyama, Inside 2, 2024
    mixed media (paper, mirror, wood board, acrylic ,epoxy clay), 57 × 20 × 20 cm
     
    The viewer within the space of the artwork
    At the core of Kenji Sugiyama’s practice lies the metaphor of the matryoshka doll, a nested structure that reflects the continuous layering of spaces and times within his works. These stratified worlds welcome the viewer into an immersive experience where memory and imagination intertwine in a play of mirrors and reflections. The installations function as labyrinthine environments, where the act of observing transforms into a circular process: the visitor becomes part of the artwork, and the artwork itself becomes a device that fosters an intimate dialogue between past and present. Evoking Proust’s reflection on memory, the ability to awaken the past through seemingly random sensations, Sugiyama proposes a renewed awareness of the visual experience, inviting us to discover how every perception is unique and unrepeatable, constructed both inside and outside ourselves.
  • RECENT WORKS

    • Kenji Sugiyama , Outside 3, 2024
      Kenji Sugiyama , Outside 3, 2024
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    • Kenji Sugiyama , Outside 1, 2024
      Kenji Sugiyama , Outside 1, 2024
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    • Kenji Sugiyama , Outside 2, 2024
      Kenji Sugiyama , Outside 2, 2024
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    • Kenji Sugiyama , Inside 3, 2024
      Kenji Sugiyama , Inside 3, 2024
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    • Kenji Sugiyama, Inside 2, 2024
      Kenji Sugiyama, Inside 2, 2024
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